Monthly Archives: June 2009

Another script done. My CBBC entry Pieces of Dad is done and dusted. Thanks very much to my readers Paul, Kai, Michelle and She Who Shall Remain Nameless (SWSRN).

Bonus thanks to SWSRN for being so damn excitable. You know who you are.

Whatever happens from here on in, it’s another script on the spec shelf.

Pieces of Dad has been a whole lot of fun to write. I’ve been working solidly on it for ten days without interruption and I ought to be if not sick at least dispassionate about it by now. But it still made me laugh a couple of times when I was proofreading it last night.

I’m not going to give myself any time off. Got three projects that need moving forwards; Magick, my entry for the next Red Planet competition, my Leeds project The Kevin and Michael Show, and – most exciting of all – a new collaboration which I’m going to call Project B which I know is the utter knees of a whole hive of bees.

Project B is up first. Got some serious plotting work to do. Now, where did I put my Plotting Hat?

I was lightly chastised by a good blog friend of mine for my blogular laxity of recent times.

So here’s a post. A missive, if you will.

I always find these things hard to get kicked off. You know, just speaking into the void. Once I’m rolling it’s fine. In fact, it’s hard to shut me up.

It’s just the getting started that I find hard.

I’m a little like a Mk. I Ford Fiesta in that respect. They had very teeny tiny batteries under the bonnet, you see. In fact, under the bonnet it was mostly fresh air. Tiddly engine, tiny battery, plenty of space for wildlife to nest.

Many years ago, just after the Dawn of Time but slightly before Time had finished its first coffee of the morning, my mum had a Mk. I Ford Fiesta.

It was red. Most cars were red in those days. There was some kind of government subsidy, I think. Something to do with the European Paint Lake.

We didn’t have the EU in those distant times. EU was the noise you made when your dinner plate turned up with a pile of soggy spinach on it and you knew there was no way on this earth that you were going to get even a sniff of pudding until you had necked the whole gelatinous mass.

No, we had the EEC. The European Economic Community. The EEC always had excesses of consumables: Butter Mountain. Wine Lake. Cheese Escarpment. Milk Pond. Toasted Crumpet Tower. Cheap Spanish Beer Waterfall. The EU doesn’t seem to have any of these. Where did they all go?

Hm. Where was I? EEC…Red Paint Lake…red cars…Ford Fiesta. Hokay, I’m back again.

Well, as was my wont as a 17 year old with places to go and a village-based girlfriend to visit I often borrowed the Fiesta.

My girlfriend hadn’t yet learned to drive. This is an important point to remember as the story unfolds.

I used to drive the 7 or so country miles to her village and pick her up. We’d go driving, maybe buy a burger and sit by the Embankment in Bedford and watch the swans or now and then visit the cinema. You know, boyfriend/girlfriend things. It was very lovely.

One November night we were driving back to her parents house to drop her off and we decided to pull over just before we got there. You know, to say goodbye properly. It wasn’t a layby. It was just the entrance to a field, rutted by tractor tires and muddy with winter rain. No matter – we didn’t have to get out of the car.

So, goodbyes said, I went to start the car.

It wouldn’t start.

Normally in these situations you just keep turning the key until it works.

In the Mk. I Ford Fiesta this wasn’t an option. You got three lives and then it was game over. Three twists of the key.

On the third twist the engine coughed and I thought I’d got it going, but it wheezed and lapsed into silence.

Further turns of the key produced nothing more than the clicking of solenoids.

Oh dear.

Remember that my girlfriend wasn’t a driver. Got that?

We talked it through and the only way out of the mess seemed to be for me to give the car a push and bump-start it while my girlfriend sat behind the wheel and did the appropriate things with pedals and gears.

She was reluctant but gamely offered to do her best. I told her what to do when – at least, I thought I did; I may have been a little hurried with the instructions. I put her fixed expression as she gripped the steering wheel tightly down to the cold night air and the lateness of the hour.

It took a while for me to get the car moving. It wasn’t a heavy beast, the Fiesta, but it was tricky getting it moving on the muddy, rutted ground. By the time the thing was shifting, I was breathing hard.

We only had one shot. The road was flat for a few yards then ran uphill.

“Ready?” I shouted. I didn’t listen for the reply. I just pushed like buggery.

Once I got the thing moving it trundled along at a fair clip. I pushed until I felt ready to collapse, then shouted

“Now!”

“Now what?” came the answer.

“Let the clutch out!” I cried.

She did. The engine coughed into life.

“Rev it,” I yelled.

She did. But she didn’t dip the clutch. The little car lurched away down the dark country road, headlights off, scared non-driving girlfriend in the driver’s seat. Exhausted boyfriend staggering in the road behind.

“Dip the clutch!” I shouted.

I couldn’t make out her reply. She was too far away.

I’m told that in times of extreme trauma, time seems to slow. Time didn’t slow for me. Neither did the car.

I ran. I ran like a madman, like a youtube downhill car handbrake failure victim. I got level and threw myself in through the driver’s side window.

My girlfriend was yelling incoherently.

“Which one is the clutch?”

It took me a second to work out left from right and her a second more to follow my garbled instruction. But she did it. And she kept the car going, bless her heart.

What we would have done if we hadn’t left the driver’s window open I don’t know.

Reader, that girlfriend is now my wife.

I want to kick off an mob-generated crowdsourced edition of Jesus Christ Superstar using only the power of the Internet.

Who’s with me?

I ordered some Moo business cards today. I’m terribly excited. I had a rather fabby idea about what to put on them. They’re double-sided, you see. You can upload your own images for the ‘back’ of the card and write whatever you want on the other.

I’m not saying anything about what’s on my Moo cards. If you meet me face to face then I’ll give you one.

Then I’ll hand you a card.

Ahahaha.

No, really. If you meet me, ask for one of my cards. Then you’ll see why they are unique.

Damn. Somebody slap me.

In other news, thanks to Jez and Simon for promptly posting notes of tonight’s CBBC Q&A which I was unable to attend due to prior stuff such as

  • work
  • being 50 miles away

Very useful, Mr J and Mr S. I salute you both.

In fact, their notes were so damn useful that I have just kicked my second entirely new CBBC script into touch and started on a third.

Leaving it late, eh? Well, you wanna be a pro, you got to roll with the punches. I aim to get it done, and I will.

Me. Hard work. Like that.

I was doing that crissy-crossy thing with my fingers then, but I realise that you couldn’t see the gesture. Feel free to do it yourself now as a kind of 3D subtitle.

Ready? On 3. 1…2…3

Me. Hard work. Like that.

Nice.

Anyway, this third script isn’t utterly utterly new. The idea came up in a brainstorming session (read lunchtime walk with notebook) a couple of weeks ago. I chose not to develop it. Not sure why I didn’t go back to it before.

It’s been an utter pleasure shooting the breeze with you. I honestly didn’t expect to find you still up this time of night. Here, take the last Jammy Dodger along with you. I’ve had six already.

Mind how you go.

Byee!

Danny Stack made a film.

Now he needs funding to get it through post-production.

He’s going to do it one way or the other. Because he’s like that.

But you can help by donating some cash towards the effort.

But look, this isn’t money into a black hole, you know.

A donation of £5 (via Danny’s blog, on the sidebar, more details here) will get you a copy of his Get Your Movie Made pdf booklet.

Danny was instrumental in the creation of the Red Planet Prize and continues to support it for the good of all us wannabe writers. For that alone I’d have paid the fiver.

But the booklet is worth the money alone. For five of your common or garden pounds sterling you will be given the kind of information that it’d take you months – nay, years – to accumulate. And even then you wouldn’t be sure that you’d got it all, or if you’d got it right.

Five quid and it’s a done job. All that precious info in your pocket.

Now, pull a fiver out of your pocket and take a look. It can get you a piss-poor bottle of wine or a sandwich and a sausage rool from M&S or a glossy coffee table magazine and a fun-size Snickers.

But it can also get you the kind of information that might just change your life.

I know what I chose.

What will you choose?

Spend wisely.

ps you can spend more than a fiver. Want to get a thanks credit? Maybe an Associate Producer credit? Even an Executive Producer credit? Costs less than you think.

Adrian Mead’s Screenwriter’s Career Guide, July 4th, London.

I’m going.

Kai’s going.

Lucy’s going.

Are you going?

Lots of foxgloves in the garden outside. Very pleasant they are too.

But why call them foxgloves? Anyone ever seen a fox wearing gloves? I suspect most foxes would consider gloves something of a hinderance.

How would they get them on, lacking as they do an opposable thumb? They’d have to help one another pull the gloves on with their teeth, which makes flower-based gloves a no-no. The petals would tear immediately.

I can see some benefits to glove-wear for foxes, though. Surely it’d help eliminate their scent trail, thus reducing the chances of attack from the packs of dogs that roam around with those fella on the horses. You know, the ones with red coats, horns and private incomes.

That said, since foxes mark their territories with scent the gloves would become a handicap in the “that’s my tree no it’s not it’s my tree” stakes. 

Perhaps the foxes could be convinced to use post-it notes to mark their ranges. Again, lack of thumbs would be an issue but perhaps an enterprising bod could create some kind of back-mounted post-it dispenser for foxes, allowing them to simply rub against countryside objects and automatically adhere a pink, blue or yellow square against said object.

Now we’ve got that sorted out, I shall turn my attention to the pressing issue of Mittens for Kittens.

Now, why would Kittens want Mittens…?

Here we are again in blogland. You know, I have a way of scheduling my blog updates. It works like this:

a) Obtain a well-inked inkpad. These are often found alongside rubber stamps and post office clerks.

b) Obtain a calendar. It must be a single-page calendar with all of the dates of the year clearly marked. Other decorative images are optional. If fluffy kittens or snuggly puppies are your thing, then go for it. Otherwise any workaday freebie calendar from your local Indian restuarant will suffice.

c) Obtain a quantity of cheesy biscuit-based snacks. The crumblier, the better.

d) Place the cheesy biscuit-based snacks into a clear plastic bag and beat the hell out of them with a rubber camping mallet. Do not use a claw hammer as this can and will damage your work surface.

e) Stop malleting for a moment and tie the plastic bag up. Don’t worry – you can hoover up the mess on the floor later.

f) When the cheesy biscuit-based snacks have been reduced to crumbs, untie the bag and scatter the contents across the surface of the calendar. Try to get good coverage.

g) Obtain a mouse.

h) Encourage the mouse to walk upon the inkpad. If he is unwilling then ask a musically inclined friend to perform a light waltz on the viola or perhaps a gymnopedie upon the pianoforte, thus causing the mouse to dance on the spot. 

i) Place the mouse on the calendar. Anywhere will do, but for decorum’ sake avoid the sabbath and holy holidays.

j) The mouse will patter around the calendar, consuming the cheesy biscuit-based crumbs. As he does so, he will leave an inky trail. Days that are thus marked will be the days that you record your words of wisdom upon your blog.

k) When the mouse has had his fill, gently remove him and place him in a safe place where he can digest in peace. Mice enjoy Desert Island Discs and The Archers, so if the wireless is in earshot, all the better.

l) Your schedule is complete.

Easy, isn’t it?

I’ve been a busy little bee over the past few weeks. Novel #2 has become a television drama script instead (at the behest of Mr P MacIntyre) and it’s coming along very nicely. I’m at that lovely tipping point where the outline is written and the beats for the first episode have been determined and I’m a few pages into the script. Scriptwriting is so much more enjoyable when you know your characters. I’ve been living with mine for several weeks now (not literally, of course; although I understand that feature will be in the next-but-one version of Final Draft) and I’m just itching to crack on.

I’ve decided to kill one of my favourite characters within ten pages. It’ll be a heroic, horrific death. Oh yes.

What else? 

I scrapped my first story idea for the CBBC competition. I thought it was a good idea. Maybe it was. But a few days down the line it just wasn’t exciting me. If it doesn’t excite me then it’s not going to excite anyone at the BBC and it’s certainly not going to excite any of the viewers.

Good news, though. I had another idea for the compo. Bing! The Story Stick came out of the blue and hit me upside the head. Just like that. Spent yesterday lunchtime beating it out. Now I just have to write the thing. Not many days left to get it done. Zoiks, Scoob!

Hum. What else? Oh yeah. I realised that none of my 35 (count ‘em) tv and film script story ideas had proper outlines. So I’ve started the long drag of working them all up. I’ve selected fifteen in the first pass, focussing on the tv material for now and leaving aside the feature film and short film ideas for later. Each one of those fifteen needs a title, spanking logline and damn tight outline.

Hell, that’s one way to improve my outlining ability. Face it, it can’t get any worse.

(Aside - James Henry blogged an excellent series that almost incidentally shows the evolution of a good example outline document. Start reading it here.)

In other news I attended another meeting of the Cambridge-based Gentlemen’s Script Evisceration Society in a cramped corner of a Cambridge (where else?) pub last Friday evening. Met a couple of new (to me) writers. Stand up Max Hero (you don’t know him now but you will one day) and Kai Savage. Hi, guys. A good evening. Wish I could have stayed longer.

Finally, I just pledged a fiver to the Twitter Short Film Fund of one Mr D Stack Esq, gentleman of this parish. He wants to get ORIGIN finished. I know you want him to get it finished too. Go on, promise him some cash. He’ll make it worth your while.

There you go. Eight hundred and thirty three of your English words. Free to you, people of teh internets.

Consume and enjoy.